Sugarman Three's: What the world needs now

Somehow, nobody knows exactly when it all started. What has become of it, you know, the better for it. Mid-1990s, Neal Sugarman was an enthusiastic supporter of classic jazz, funk, rhythm and blues, soul and Latin music and toured the main inspiration for locations in the U.S. this genre. New Orleans had particularly impressed him. All the traditional sound worlds for him here showed the best color shades. The Hammond organ sound was for him the beloved musical bridge between these facets. Funk and Boogaloo stood by him in the highest price. Back in New York, 1996, he founded his own band with Adam Scone, Al Street, and Rudy Albin - all of his passion for the grooves of the 1960s and 1970s lived and shared. "Sugar's Boogaloo" was released on Desco Records and made in the never-extinct rare groove fans around the world for open ears.

Desco Records broke up shortly thereafter and the board reached later by licensing the German label Unique Records re remunerations. The Desco label founder Lehman & Roth parted. Roth founded shortly after the now legendary label Daptones Records, which makes well known for over 10 years of analog and authentic renaissance of soul and funk sounds rehearsed. There then appeared also the second album, "Soul's Donkey", which with 60s jazz-funk inspired hip. Inspired by The Meters, Booker T. & MGs and the Memphis Horns, they played purely instrumental, groovy pieces worldwide live and also for a third album - until Neal Sugarman and Gabriel Roth to label things by intensive care and scene celebrities such as Sharon Jones a platform stated.
Now the fleet Sugarman Three-back with its own factory. Retro can not make simple, you must present an authentic and have an idea of ​​the sound. From every shadow of doubt on this trio of hip retro-Corrugated is riding - these guys are playing it to perfection. Allegedly recorded in only 4 days. Unpretentious, real, raw and straight is their mini album "What world needs now" become. Locates in the mid-tempo range, they have not lost their groove after nearly a decade. Instrumental sound of this imprint is now not only rare, but probably still difficult to explain because if nobody sings about it. Ultimately, however, lies precisely in the magic. Welcome back, guys.